We move through life with moments we await—
some we long for,
and others we hope will never come.
Yet whatever the feeling, D-Day always arrives,
crossing the boundaries of tomorrow and the day after.

The D-Day Project began from a desire to honor those seemingly ordinary days that quietly pass us by—
to remember them more vividly,
to hold them as something a little more special.
A D-Day can be something I anticipate,
or a day that belongs to someone else entirely.

As I chose each date and watched the numbers count down,
I found myself wanting to share that passage of time with others.
So I documented D-Days with people in many different ways:
sometimes with family who were waiting alongside me,
other times trusting the moment to brief encounters and strangers.

Through this project, I hoped not only to record time,
but to share it—
to let my days intertwine with the days of others,
if only for a moment.

D-Day Project #2: End of the Semester was a daily practice that began one week before the semester ended and continued through D-Day itself. Each day, I asked a person in front of me—someone I was seeing in that moment—to take a single photograph of me. They could choose the framing and the pose. The rule was simple: one day, one image, one brief exchange.

The project was created to treat passing encounters as something worth holding onto—to communicate through the camera with people I might otherwise only pass by, and to give more weight to the fleeting seconds that disappear into routine. Over time, the countdown became shared: not only my waiting, but the presence of others folded into it.

On the day of the final critique, I installed the photographs from D–7 through D–1 on the wall. Then I stepped forward with a whiteboard marked “D-Day,” standing in front of the installation as the final image of the series. To record that last moment, I stood again in front of the camera—this time with my classmates and professor—so the final day could be witnessed and held together.

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D-Day Project#1

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